Headphone Output: Yes

The headphone output allows direct connection of headphones for private listening. This output provides a convenient way to enjoy the sound without disturbing others or ambient noise.

Outputs

• MIDI OUT
• Headphone Jack 6,3 mm TRS
• Line Jack 6,3 mm TS

Inputs

• Sustain Pedal
• MIDI IN
• Signal Jack 6,3 mm TRS

Aftertouch: Yes

Aftertouch technology on the keys allows musicians to add a new level of expression to their playing. When a key reaches the bottom of its stroke, the pressure exerted on the key can continue to be sensed and used to control various aspects of the sound, such as vibrato, volume, or tone modulation.

Pitch Bend: Yes

The Pitch Bend allows smooth pitch changes, adding expressiveness to musical expression. Often used to create effects such as glissando or vibrato, this feature allows the player to make subtle or dramatic changes to the sound in real time. Pitch bend allows musicians to create smooth transitions between notes, increasing the dynamics and expressiveness of their performances.

Modulation: Yes

Modulation allows you to change different aspects of the sound in real time, opening up a wide range of creative possibilities. For example, it can affect the pitch of the sound, creating a vibrato effect, or it can change the amplitude of the signal, creating a tremolo effect. It can also adjust filtering to create smooth transitions between frequency bands and dynamic textures. Modulation can also be used to change the character of the sound depending on the time or intensity of playing, giving the sound a lively and moving character.

Pedal Inputs: Yes

The pedal input allows you to connect an external pedal that expands the instrument's control capabilities and contributes to a richer musical expression, increasing flexibility and expressiveness when playing and creating music.

Envelope: ADSR

The ADSR (Attack, Decay, Sustain, Release) type envelope filter gives you precise control over the dynamics and shape of your sound. The ADSR components are detailed as follows: Attack: Specifies how quickly the sound reaches its maximum volume upon activation. Decay: Specifies the time it takes for the volume to drop from maximum to sustain. Sustain: Represents a stable volume level that is maintained as long as the sound is active. Release: Specifies how quickly the volume fades to zero after the sound has been released.

LFO: 2

An LFO, or low frequency oscillator, brings electronic sound to life. It adds movement and interest to synthetic sounds and effects, playing an important role in both subtle synthesis and bold sound design. However, you won't hear the LFO itself because it acts as a modulator. This means that it does not directly affect the audio signal, but adjusts other parameters such as oscillator pitch and filter clipping.

Oscillators: 3

This three-oscillator synthesizer offers a wide range of sonic possibilities and creative expression. With three oscillators, users can experiment with harmonic interactions, adjust the frequencies and amplitudes of individual oscillators, and create composite sounds that combine different textures and colors.

Arpeggiator: Yes

The Arpeggiator transforms chords into sequences of individual notes played in various rhythmic and melodic patterns. Instead of playing the chords as a harmonic whole, the Arpeggiator breaks the chords into individual notes and plays them sequentially according to the selected algorithm.